All those lyrics of mine that I will not get the
opportunity to set tune to during my lifetime, I leave to you to embellish them
with your music – Rabindranath Tagore to Pankaj Kumar Mullick (Jorasanko Thakurbari,
1937).
Rabindranath Tagore |
The incident that prompted this emotional reaction in
Tagore is now a part of the legend of Bengali culture:
It was during the making of the movie Mukti, in 1937 that Pankaj Kumar
Mullick, the film’s music director had gone to meet Tagore to seek his
permission to use the song Diner Sheshey
Ghumer Deshey in the film. The lyrics for this song were by Tagore but its
music was not – it was in fact composed by Mullick many years prior to the
movie. He had been unofficially singing the song at various gatherings but
never in public. However when it came to using it in a movie, Tagore’s permission
was an absolute necessity because Tagore’s songs (popularly known as
Rabindrasangeets) and his poems - then, as it is now - were sacrosanct and
nobody apart from Tagore had any right whatsoever to tinker with them let alone
set tune to them. Given this scenario, Mullick set up an appointment with
Tagore and with great trepidation rendered the song in Tagore’s presence.
Mullick had no idea how Tagore would react to such a situation and he feared
the worst – that Tagore would get upset with him and forbid him to sing the
song ever again let alone use it in the movie. But what unfolded was absolutely
contrary to his fears. Tagore was so overwhelmed on hearing the song that he
embraced Mullick and uttered the words that gave Mullick the rare distinction
of being the only composer allowed by Tagore to set tunes to his lyrics. In
this manner Mullick was adorned with the unofficial title of being the 'First Man of Rabindrasangeet' – an epithet
he aptly justified by making it his life’s mission to popularize the songs of
Tagore among the masses. He not only pioneered the use of the medium of films
but also that of radio apart from stage performances to free Rabindrasangeet
from the shackles of elitism and let it loose among the music loving masses of
Bengal. He was also the first person to sing Rabindrasangeets in Hindi, Gujarati
and Tamil in an attempt to spread the magic of Tagore’s compositions among the
non-Bengali speaking audience as well. Given the scale of popularity that
Rabindrasangeets have reached today it can be said without any doubt that
Tagore and Pankaj Mullick were kindred spirits – one meant for the other in
this vast universe of eternal music.
Given the unconditional permission given by the Poet himself, one would think there would be more songs to which Mullick had set tunes. Yet, it sounds as though this is the only Rabindra-songeet for which Mullick set the tune. Is that so?
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